Make sure you watch the video all the way through in Final Cut Pro. Fix the problems in your original editing sequence and export the video again to a self contained Quicktime movie. Make sure you are happy with the look of the video before encoding it for DVD.
After encoding your DVD, it is important to test for compression artifacts and interlacing problems. Select the place on your hard drive you wish to save the Quicktime movie to. Keep the ripped Quicktime movie on a layer right above your DVD master video.
Play the video back in your sequence out to your television. As you switch between the layers, look for color shifts or changes in the brightness of the video.
If you see any color problems or jitter, you will want to make changes to your DVD encoding workflow. Compression artifacts are any visual changes that cause noise or blocks to appear in the video. These artifacts can be minimized by modifying your DVD master video.
Compression markers tell Compressor to place whole frames at certain points in the DVD to help minimize compression artifacts. Compression markers work well on zooms, pans, and cross dissolves. For example, if you have a one-second cross dissolve between two video clips, you can place a compression marker before and after the dissolve. To add compression markers, select the DVD master video clip in your Sequence.
Find the location in the DVD master video where you want to add a compression marker. You will now see a compression marker in your Sequence. After you have placed all of your compression markers, export the modified video to create a new DVD master video.
Make sure you include the option to export the compression markers. You will need to submit the new DVD master Quicktime movie to Compressor again for the changes to take affect. A common problem with video compression is where the picture breaks up into squares after encoding. Contact Us VideoHelp Top. All times are GMT The time now is All rights reserved. Latest tool updates. Plex Media Server 1. Reaper 6. FindVUK 1. SubSync 0.
DownZemAll 2. Advanced Youtube Clie Recent DVD Hacks. Sony BDP-S Panasonic DVD-S Philips BDP Samsung BD-H LG BP Pioneer DV New media comments. Princo DVD-R. Kodak BD-R. Copystars BD-R. Newest guides. Top ffmpeg lossless commands. How does a video codec work? Or is the actual movie file And the DVD has flags telling the player to do pulldown.
So this would mean non-progressive DVD players are 60hz, right? So, this tells me that the player is upscaling the i content to , using pulldown to convert the But then the 48hz thing throws me off. When I click through a movie frame by frame, it takes 24 clicks to go one second. So why does it say 60p if each second is actually 24 frames?
Is it doing pulldown, and then reversing it or something? What does it mean if my player is 60hz and the Blu-ray player is 48hz? We use anonymous cookies to give you the best experience we can. In the US, most post production facilities are set up for At the end of post, your film can be conformed to 24fps.
This is the frame rate of movie projectors, both traditional and digital, throughout the world. Some will accommodate other frame rates, but some will not, so a production aiming for a theatrical release or festival screenings in cinemas, should be delivered as a 24fps DCP digital cinema package or print for maximum compatibility. In PAL regions, features and theatrically-inclined shorts are typically shot at 24fps with a shutter angle of This shutter setting eliminates on-camera flicker from non-incandescent light sources and monitors running off the 50Hz mains supply.
Blu-rays do not technically support 25P, but they support 50i, which can contain progressive 25fps content.
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